Both these violin concertos have been long-neglected for the same reason: their composers were much better-known for their achievements in musical theatre rather than for their works for the concert
hall.

Robert Russell Bennett studied composition in Paris with Nadia Boulanger, and his output includes seven symphonies. He also orchestrated some of the highest-profile musicals in Broadway history, including works by George Gershwin, Cole Porter, and Rodgers and Hammerstein. (Richard Rodgers modestly claimed that Bennett’s skills in instrumentation had made his music ‘sound better
than it was’.)

Vladimir Alexandrovich Dukelsky changed his name to Vernon Duke at the suggestion of his friend Jacob Gershovitz – better known as George Gershwin. Duke received a rigorous training in classical music at the Kyiv Conservatory, was friends with Prokofiev, and composed ballet scores for Sergei Diaghilev’s Ballets russes, in Paris, as well as three symphonies. He remains better known as the creator of hit shows, such as Cabin in the Sky, and as the composer of numerous songs that became jazz standards, including April in Paris.

Chloë Hanslip, Andrew Litton, and the Singapore Symphony Orchestra play both concertos with aplomb, and Andrew Litton also performs as pianist in Bennett’s Hexapoda, for violin and piano.